Conversation with Edra Soto, Chicago, 2003

Edra Soto begins the conversation by expressing her concerns about the diminishing awareness of influential figures like Frida Kahlo among younger generations. Soto, a Puerto Rican artist based in Chicago, contrasts her own experiences with those of other Puerto Ricans in the diaspora, noting that while many express a strong nostalgia for their homeland, she does not feel the same way, having lived in Puerto Rico for 25 years.

In her studio, Soto shows excerpts of her artwork, including a series of drawings titled Telemundo, which critique the stereotypical portrayals of Latina women in the media. She expresses frustration over how these representations shape the identities and expectations of younger Latina women. Soto recounts how she was often asked if she was a feminist when she began her career, as her work addressed issues relating to women’s rights. Meanwhile, Soto clarifies that she is more focused on celebrating her identity and experiences as a woman.

In the conversation, Soto touches on the political nature of art: “Everything has political content. I think everything is affected by politics.” However, she emphasizes that her work is more about personal expression than overt political statements. “Artists can be afraid to show who they really are. I really like to challenge that part—to come out in a very unexpected way.”

During a car ride through the city, Soto shares her mixed feelings about being an artist in a metropolis like Chicago, where one can feel simultaneously invisible and liberated. She talks about the importance of remaining authentic in her work to avoid being pigeonholed and to resist the pressures of conforming to certain labels or expectations. Throughout the conversation, Soto grapples with the idea of representation and the balance between staying true to her roots while also reaching a broader audience. “I think representation gives room for you, for everybody, to take something with them.”